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Fifth Element, The
Starring Bruce Willis and Milla Jovovich, THE FIFTH ELEMENT is a stylized, upbeat film one can categorize within the “melting pot” genre. It is funny, well written, action packed, with the gunfights, explosions, and car chases you would expect from a good Willis film. One of my favorite films of all time, THE FIFTH ELEMENT attaches a spectacular visual frame of reference for what is an original and beautifully arranged aural achievement. The film begins with a history lesson about a secret society of monks who are sworn to guard a temple, and the weapon it holds within it’s stone walls. Just as an archeologist is deciphering the messages on the tomb doors, one of the monks from the order arrive to assassinate him. Before the man has a chance to drink the poison, a group of Mondoshawan aliens arrive in a large spaceship and take the artifcats from the temple. They leave the monk with a message, to protect the secret and prepare the altar for their arrival when evil comes again in 500 years. In the future, the city has grown so high that people drive hovercraft and live in apartments smaller than a Chelsea studio. This is the time of prophecy, and the Mondoshawan approach earth in an attempt to return the 5 elements to the temple and activate the weapon for it’s battle against the coming evil. Before it can drop off the goods, the ship is attacked and crash lands on a nearby moon. Salvaged from the wreakage is a piece of material with a few cells remaining that the scientists are able to duplicate and rebuild. LeeLoo (Jovovich) is the product of the restoration, and uses her super strength and agility to escape the lab. Left with no place to run, she takes a leap of faith from the buildings ledge and crashes through the roof of Korbin Dallas’ (Bruce Willis) taxi cab. After fleeing from the authorities, she tells him she needs to be taken to a priest, who happens to be the secret society monk that is awaiting the arrival of the 5 elements. Behind all the sabatoge and sinister activity is the evil corporation leader, Zorg (Gary Oldman). He is working for the Evil (the bad guy we never really see) and in kahoots with a mercinary tribe of aliens who do his dirtywork. As the Evil approaches earth and comes into contact with federation ships, it becomes clear that the planetoid is headed to crash into earth and is destined to destroy life, the universe, and existence as we know it. On a race against time, LeeLoo teams up with the priest and Korbin on a quest to obtain the stones and return them to the temple before the evil mass arrives. Along the way, they are befriended by and the nutty shock-jock Ruby Rod (Chris Tucker), a blue singing diva named Plava Laguna, and a wacky cast of characters unlike anything seen before onscreen. With costumes and designs done by Jean Paul Gaultier, you can be sure to see an eccentric mix of futuristic and fashonable folks wandering the screen. Directed by Luc Besson, THE FIFTH ELEMENT is the most expensive film to ever be produced outside Hollywood, with it’s special effects budget hitting the 80 million dollar mark. It was also selected to open the Cannes Film Festival in 1997. Overall, expect a lot of action and some wisecracking humor with this film. An out of this world moment of cinematic brillance which highlights the stylistic accomplishment of Besson’s vision and Gaultier’s fashion is the diva sequence where Plava Laguna performs a spectacular rendition of Donizetti’s Lucia di Lammermoor over a montage of fight scenes outside the operahouse. Truely one of the most incredible moments in recent cinema, the sequence preludes the mad frenzy of terrorist activity and chaos that the film works through until the credits.
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