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Wild, The
As a director, I have not been too wild about Sean Penn movies. They meander too much, and don’t care much about plot. The acting is usually far too over the top, and method, and it’s just distracting. Somehow, Into The Wild manages to totally avoid all the trappings of his previous films, and delivers a powerful true story of a young man escaping from the world around him. Emile Hirsch plays Christopher McCandless, who in 1990, after graduating from college, takes out all his savings and gives it to charity. He then begins to wander across this great land, meeting all sorts of different people in his ultimate goal of living by himself in Alaska. McCandless has read far too much Thoreau, and believes that man should live on his own, in the wilderness, with nothing but his thoughts, far away from a consumerist culture. The frightening part is that, as the movie plays, you start to believe that he might actually have a good point. Hirsch does a tremendous job as McCandless, carrying the film for the most part on his own. A lot of time is spent showing what happens to Chris in Alaska, on his own with no human interaction. He gets you to believe in his ethos and methods and view this plan as not an act of madness or rebellion, but as a choice that all humans should be able to make instead of fitting into the preconceived notions that most of us might be born into. And he’s captivating as hell. Along his journey he meets many different characters, including Catherine Keener as an old hippie, Vince Vaughn as a nice guy who teaches McCandless how to thresh wheat. But the standout of all is Hal Holbrook, who eventually becomes a bit of a surrogate parent in a time when McCandless needs it. Holbrook’s performance is heartbreaking and genuine, and provides a great counter to Hirsch, as he might be the only person to dissuade Chris from his ultimate goal of living alone in Alaska. The film is gorgeously photographed, all on real locations (the bus used in the film is the actual bus that McCandless stayed in for the last leg of his journey. There are some beautiful songs contributed by Eddie Vedder. And the two and half hour running time flies by. It should be noted, though, that the film is utterly depressing at the end. It’s fantastic, and Penn’s best film by a long shot, but man does it ever bum you out. (It’s based on a true story, and you can probably guess what happens in the end if you don’t already, but since it’s been 15 years since the events that transpired, and 11 years since the book the film was based on was published, I feel that nothing is given away.)
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